Photo: Amy Beal
Tidal marsh movement…
Photo: Daniel Hansche
Searching for signs…
Photo: Amy Beal
Replication…
Photo: Brendan White
Making it up…
Photo: Brendan White
Miniature gallery…
Photo: Daniel Hansche
Search and create…
Photo: Brendan White
Rendering gorgeous animal patterns…
Put a bird on it...
Photo: Daniel Hansche
Fruitful dunes…
Photo: Brendan White
Gull tracks, with gull…
Photo: Brendan White
Observe, connect, interact, repeat…
Photo: Brendan White
Creating the positive, creating the tracks (footprint made using clay mold)…
Photo: Brendan White
Sandpiper positive, with replication of tracks…
Photo: Brendan White
Well-timed and precious: Low Tide…
Photo: Brendan White
Mysterious invertebrate art. Can an invert be an artist?
Photo: Brendan White
Images inform our imagination. Can we stay present, observing without interpretation? Once we go there, there’s no going back!
Photo: Brendan White
Replicating invert patterns…
Photo: Brendan White
Stepping and stomping; scaling it up…
Photo: Brendan White
Scaling it up: replicating invert trails…
Photo: Amy Beal
Returning…
Photo: Brendan White
Nests and other sightly signs…
Photo: Brendan White
Pastel antlers…
Photo: Brendan White
Pastel deer skull…
Photo: Brendan White
“Bad Tracks”: compressions, shapes, and reconstructing the spore…
Photo: Daniel Hansche
Exploring the right-side-up theory…
Photo: Brendan White
Pausing for a sketch in the shade…
Photo: Brendan White
A track sketch is NOT a track drawing…
Photo: Brendan White
Extend your limbs…
Photo: Brendan White
Filling it in…
Photo: Amy Beal
White-tailed deer on sand, in white-tailed deer trail…
Photo: Brendan White
Touching in with baseline: forest floor with pastels...
Photo: Brendan White
Invertebrate holes: a world of color and depth…
Photo: Amy Beal
Weather Report: 97 Farrenheit and sunny…
Photo: Daniel Hansche
Taking the easy way into beaver territory; going with the flow…
